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One of the sweetest parts of moving back to my hometown has been reconnecting with family and this beautiful community. Getting to collaborate with Pear Bloom Farm, owned by my partner’s sister, on this exclusive collection has made that return feel even more meaningful. There’s something really special about creating alongside family and sharing that work with the community we grew up in. This collection was not only inspired by the blooms, but also features dried florals ga

Dentalium shells have always been one of those materials I’m drawn to, not just for how they look, but for everything they carry with them.They are small, naturally formed tubular shells that come from the ocean. Simple in shape, but deeply layered in meaning. For many Indigenous people along the Pacific Northwest Coast, dentalium shells have long held cultural, spiritual, and economic significance. They were once widely used as a form of currency, traded between coastal and

The salmon skin leather I use has a journey that stretches across both land and ocean, and it’s something I think about often while I’m creating. The salmon are caught off the coast of Alaska, and from there, the skins begin a really special transformation. They’re sent all the way to a tannery in Iceland, where they’re cleaned, processed, and turned into leather before being dyed. Once that process is complete, they’re sent back to Alaska. Altogether, this can take anywhere

In 2025, I had the honor of creating my first pair of earrings for the Hibulb Cultural Center’s Woven Ways Exhibit—an experience that felt incredibly full circle. Hibulb is where I first learned to weave cedar three years ago, and to now have my work displayed in that same space, alongside our ancestors and contemporary artists, means so much to me. One of the pieces featured is from my B.A.E (Big Auntie Earrings) collection, a design that holds a lot of meaning in my work.

Every piece I create begins long before the weaving... it starts in the forest. The cedar used in every product is personally harvested by me in the Pacific Northwest, from Darrington and Sultan, Washington. This process is deeply intentional and rooted in respect, sustainability, and teachings passed down to me. Harvesting cedar is not just about gathering materials, it’s about building a relationship with the land, honoring the tree, and following a careful, traditional pro